Friday, July 11, 2014

Risk it

I'm not here to spin in circles.


One of the biggest principles I have stood for in my education, career, and life is in these two words.


Risk it!


It just sounds exciting even thinking about it. It’s a reminder to step aside from what I'm doing and reflect on myself if what I'm doing or saying is the right choice for what I want when trying something new. I like to ask myself these questions:


Is it a challenge? If not, then why am I doing it?
Is anybody else doing it? If so, then what purpose does it serve me?
Can I live with myself if I don’t do it? If so, then it’s probably not that big of a deal and I should find another task. If I can’t live with myself, then I better get started on the mission.


If I can’t answer these questions while thinking I’m going out there to make that small difference in the world, then I’m not interested. If I wanted to do nothing, I’d stay at home. Maybe taking risks won’t give me exactly what I want, but it’ll align the path to what I’m destined for. I'm not looking to win any awards, but what I am looking for is to have a simple message that anybody can understand. It's not an easy way to be subjective if I’m doing things the regular way all the time. I can be sure I’m onto something worth fighting for when my mind hits that certain threshold. I get more blood pumping in my veins. I have that specific vision. That’s when I know what I’m doing is making things happen. That’s when I know that persistence pays off and I’m going to go for the gold.

That's what makes me so comfortable about myself. I'm happy with who I am, and if it means I do things a little differently, then so be it. I dare myself to push harder, to reach the highest mountain. If I was content with mediocrity and being regular or average, I wouldn't be in college or I wouldn't have moved to California in search of bigger opportunities.


I surround myself with smarter than myself and risk-taking people. My principle is to lead by example, teaching others to check themselves before they wreck themselves. If a few more people can think about risking it more often, there’d be more chances of making that bullseye.

Wayne Gretzky said it best. “You miss 100% of the shots you don’t take”. The odds are in our favor, then.

Friday, June 20, 2014

Actors List for Two


UPDATE: I now have been brewing about actors in my mind and the state of this list. As I watch more movies that I like and what makes a good actor, I've decided to look at theatre actors closer so this list will definitely change.


I've been acting as my own Casting Director's Assistant (Casting Associate) for my feature film, Two.

I've compiled a list of actors that would be within budget(not astronomically high cost for talent, the chances of being a diva to come play a few day's role). They should also be willing to work with a mixture of union and independent film cast and crew towards the ultimate goal of a subject of adoption. 99% of the roles are the ones that most actors would want to do because of the caliber of iconic roles they would be able to play.

The cast probably will change a few names here and there as people die unexpectedly, or are busy doing their own thing, or would never want to work with someone else that is cast due to politics. That's the nature of this business and please don't hold it against me. I would love to work with every actor eventually and given the timing and nature of my writing, probably will.


A note about all this: I have been writing this list out, researching actors, looking at faces, ages, past work, personal behavior, etc. When I wrote this screenplay, these characters didn't have that personality they have today. It's because of this research, this thinking of what an actor could possibly bring to the role that I have brought this list out and given the material larger than life memorable attitudes. Once the actors are cast, these personalities become theirs and whatever choices they create are no longer mine, but they are of the screen in which you see them.


MAX
Michael Angarano
Taylor Lautner
Carter Jenkins
Corbin Bleu
Mark Indelicato
Dev Patel
Suraj Sharma


ALINA
Nicole Beharie
Lenora Crichlow
Ruth Negga
Yaya Alafia
Amandla Stenberg
Jurnee Smollett
Jordin Sparks
Keke Palmer


JESSICA
Retta
Rashida Jones
Tatyana Ali
Rosario Dawson
Persia White
Gugu Mbatha-Raw


TRĂˆS
Doc Shaw
Jaden Smith
John Boyega
Tristan Wilds
Michael B. Jordan
Evan Ross
Leon Thomas III
Dayo Okeniyi



ROXY
Kaya Scodelario
Analeigh Tipton
Brie Larson
Zosia Mamet
Kristen Stewart
Emma Watson
Zoey Deutch
Shailene Woodley
Ariana Grande
Victoria Justice
Selena Gomez
Hannah Marks
Lily Collins
Joey King
Lourdes Leon
Seychelle Gabriel
Josie Loren
Christian Serratos
Isabelle Fuhrman



MARIEL
Chloe Moretz
Juno Temple
Saoirse Ronan
Emma Stone
Shailene Woodley
Bonnie Wright
Kaya Scodelario
Mia Wasikowska
Emma Watson
Chloe Moretz
Mae Whitman
AnnaSophia Robb
Elle Fanning
Imogen Poots


UNCLE REGGIE
Craig Robinson
Jerome Caldwell
Terry Crews
Dule Hill
Dolvett Quince
Isaiah Mustafa
Derek Luke
Blair Underwood
Lenny Kravitz
Laz Alonso
Michael Ealy
Lance Gross
Jesse L. Martin
Morris Chestnut
D.B. Woodside
Charles Michael Davis
Damon Wayans Jr.
Shemar Moore
Jesse Williams
Boris Kodjoe
Andre 3000
Keith David
Dennis Haysbert
Samuel L. Jackson
Tone Loc
Isiah Whitlock Jr.


GOTHAM SHAH
Maz Jobrani
Richard Ayoade
Omid Djalili
Oded Fehr
David Cross
Ciaran Hinds
Tony Shalhoub
Ron Silver
Said Taghmaoui
Faran Tahir
Shaun Toub
Arjun Rampal
Sendhil Ramamurthy
Hrithik Roshan
Raza Jaffrey
John Abraham


VINCE
Whit Spurgeon
Gary Cole
William Fichtner
J.K. Simmons
William H. Macy
Harry Dean Stanton
Steve Buscemi
Thomas Hayden Church
Clifton Collins, Jr.
Bruce Dern
Chris Elliott
Sam Elliott
William Forsythe
John Goodman
Woody Harrelson
Michael Keaton
David Koechner
John C. McGinley


LINDA
Kathy Bates
Holly Hunter
Joan Allen
Jennifer Jason Leigh
Frances McDormand
Joey Lauren Adams
Catherine Keener
Jane Lynch
Edie McClurg
Catherine O'Hara
June Squibb


NESS
John Turturro
Christopher Walken
Erick Avari
Graham Greene
Luis Guzman
John Leguizamo
John Ortiz
Michael Pena
Miguel Sandoval
Jacob Vargas

MITCH
Douglas Booth
Will Poulter
Ansel Elgort
Kare Hedebrant
Paul Butcher
Kenton Duty
Mitch Hewer
Graham Patrick Martin
Brett Davern
Shane Sheckler
Rufus Taylor
Devon Gearhart
Lloyd Daniels
Chris Brochu
Chad Dylan Cooper
Sam Evans
Christopher Zurek


DAWOOD
Derek Luke
Columbus Short
Chiwetel Ejiofor
Tahir Moore


CAMEO ROLE
Danny Derakhshan (myself!)
Naveen Andrews
Serj Tankian
Daniel Martinez
Aziz Ansari



CYBILL
Lisa Kudrow
Kathy Baker
Suzanne Whang
Debra Monk
Amy Poehler
Bai Ling
Molly Ringwald
Tea Leoni
Uma Thurman
Winona Ryder
Patricia Arquette


TAMARA
Ariana Grande
Sarah Hyland
Zoe Kravitz
Vanessa Hudgens
Samantha Barks
Freida Pinto


KENNY
Cung Le
CM Punk
Nicolas Cage


MRS. YAMSKUL
Suzanne Whang
Lu Liping
Zhang Ziyi
Gong Li
Sandra Oh

DAVID YAMSKUL JR.
David Yu
Harry Shum Jr.
John Cho
Ezra Miller

DAVID YAMSKUL SR.
George Takei
Ken Watanabe


ANNA
Willow Smith
Saoirse Ronan
Perrie Edwards



FRONT DESK PRISON GUARD
John Amos
Anthony Anderson
Wilford Brimley
James Caan



CONTAINMENT CELL PRISON GUARD
Joaquim de Almeida
Scott Bakula
Corbin Bernsen
Vincent Cassel



ASIAN TOURIST
Suzanne Whang
Jamie Chung
Jenna Ushkowitz



INTERESTING FACES*
Dylan O'Brien
Bobby Cannavale
Allen Covert
Giancarlo Giannini
Giovanni Ribisi
Ben Foster



*Not in the script, but I l'd love to have these actors in something if I can find a part to write for them.

What It Feels Like to Do Everything and Nothing In One Day

Some new details for the Adoption Reunion story.

1. We've got a name! Are you ready to read the words of greatness? OK, here we go.
Finding His Family. I could not think of a title for 2 years of writing this story, with exception of Clocks That Can't Be Fixed, referring to being adopted and wanting to find out about roots being a way of time being lost. Philosophical? Yes. Easy to say? No.

2. After much feedback, I've been writing all week long to a better revision. It's almost surreal how close to a movie this screenplay is now. The even more surreal part? It's gonna get better with each revision. I have this vision of dialog becoming better and characters becoming more iconic and the right mix of known actors and up-and-coming talent being introduced to me.

3. A fellow producer, Dan Janvey, from Beasts of the Southern Wild is now on my Advisory Board. This is great because one of the smartest friends I've worked with are backing me up on this journey.

4. A SAG signatory producer is wanting to help me with logistics and actors to handle this project. We'll see if all the agreements happen, but no matter what, this means I can't stop now.

I've spent 9a.m. til 10p.m. today working. I've been applying to Producers Labs, tweaking the screenplay, and writing up potential actors for the project that I can see a good fit for the film and within the budget. I am 90% done with it and I'll post it up in case anyone has worked with anyone of them before and can introduce me once funding goes further.

I also edited a boxing promo for a local company nearby that I'll be doing some more videos for in the future and I got a local comic book shop to agree to me making their web commercial for them. I have a great idea of having a bunch of people in costume mock fighting in front of the store trying to get in to get the newest batch of comics. I got the pet supply store to set a date to film this web commercial for them too. I also spoke to the manager of a medical marijuana dispensary to create some educational and informative videos for them.

Basically, I worked all day and night on what I love, but now my eyes don't want to keep looking at a computer monitor for a while. The reason I wrote everything and nothing in one day is that I know I'm just one man and I can't do everything, no matter how much I want to. I spent hours and hours today working but the reality is I can't do it all and have time for any recreation. That's a problem I'm working on. I've got my eye on an experienced producer to come in and work with me to get things done soon.

OK, if you're reading this: Anything is possible. I'm the proof. Watch this as it happens cause I'm on the journey.

Saturday, June 14, 2014

2 years and 1 week

It took me 2 years to write a real first draft of my adoption reunion drama. The revised draft is taking me a week. Of course, this is a whole week of doing nothing but writing. A big apology to all my family, friends, and bills that are past due; I've been committed to this work and nothing else. They say movies take 4 or 5 years to make from idea to seeing it at a theater or on Bittorrent. Well, I'm about halfway there now(haha!).

I've spent the same amount of time on the computer this week, but more re-writing than I've ever done. I wake up around 7 or 8am and I'll work a few hours at a time, take a half hour break, then go back at it, only taking time off to eat or run errands. Maybe it's cause I'm so anticipatory towards this version. A lot of good friends tearing into the story, telling me what was bad and what was horrible helped. I can't say this was all me. They took time to read it, and got me to realize what made it mean and full of life; like a pitbull figuring out it has teeth. Possibly the funniest thing that happened was with one of my longest relationships, a man named JP. His feedback almost gave me a heart murmur. It shocked me so hard that he was right, that I suddenly felt embarrassed I had sent it out to so many people.

Drama is not easy, especially for an 80's/90's person like me, who grew up on Terminator and Rambo and Alien franchises as well as cheesy comic book heroes like Superman, Spider-Man, X-Men, and the Fantastic Four. Also, I'm incredibly positive in life, and that is apparent in my writing. I had to go deeper and darker for this draft. And I'll probably have to go darker for the next draft after this.

OK, back to positive thinking: Most spelling and obvious grammatical errors fixed. Challenges to protagonist corrected. Discovery process for protagonist envisioned. Not everything is handed to him. It's his story about being adopted and trying to figure out how to deal with sealed birth certificate laws and circumventing them because they're outdated and information should be freely available.

I also figured out a scene I want to film as proof of concept and tone.

It's Saturday at night, and I should be relaxing, but I need to finish this. I'll relax next week. :)

Thursday, June 12, 2014

Fast and the Furious

Sometime in the early 2000s, my brother got started with a Honda tuning crew. He bought himself a 1988 Honda CRX and started suping it up. It was great and a lot of fun to drive in the passenger seat so I decided I wanted a CRX too. I ended getting a 1991 model, but I didn't do anything to it except get a quieter tailpipe conversion. I wanted to be elusive in the the night while my brother wanted to show off during the 39th Street car shows.

Then, something happened. A movie trailer came out that depicted amazingly detailed cars in an action-thrill ride. We both knew we were going to see it on opening night.

We showed up around 7pm or so and the parking lot at the mall where the theater was located was packed full of mostly Asian and some European modded cars. My brother's CRX fit in perfectly.

The movie began and all the loud noises stopped as we began the journey of Vin Diesel and Paul Walker. When the movie ended, we all got up and paced towards the exit.

I'll never forget hearing a teenager in front of us yelling at the top of his lungs, "This is the best movie of the year!"

Tuesday, June 10, 2014

Production Designers

I was on a show that is very popular, and there was a subway scene in New York being filmed.

The Production Designer gave everyone briefcases and newspapers and coffee cups...

This is a problem in the 2010's and up era. Anyone taking the subway is going to have an iPad or Kindle or listening to music on their commute. The newspaper is still bought, yes, but not at the rate of people buying devices to read on.

Everyone should have earbuds plugged into them and playing on their phone or laptop. Just saying.

Sunday, June 1, 2014

Stronger than all

What's been interesting about all this work that's been going on is that I now feel like I'm not doing enough. I am, I really do believe I'm doing as much work as 2 highly caffeinated persons but it doesn't feel like it's enough. I'm waiting for feedback from a few high profile industry producers that are mentoring me thru the process of directing my first feature film next year and I'll post more on that soon. It's about 1am PST right now. I've been spending my Saturday night writing proposals, replying to emails, finding new screenwriters labs, directors labs, and producers labs. It's strange isn't it? I'm doing all 3. I've met up with some potential producers and I like one guy so far. He's never produced a feature but been a script supervisor on over a 100 feature films in the last decade. I like his honesty about himself and how he's unsure of a few things but willing to take a shot at it anyway. That's the kind of person you want to be your right hand. Just for fun, I'm going to make a quick list of titles I've got and maybe titles I need:

-Cinematographer

-Co-Producer

-Associate Producer (3)

-Producer/A.D.

-Mentor (3)

-Seed Investor (1)

That's it so far. I've reached out to a few Line Producer friends, a Casting Director, and a Costume Designer, but those are still just waving around until I can pull a real team together. 

Filmmaking is such hard work, but I think adidas says it best: 

"When you love what you do, it's not really work, it's just what you do."




I'm making movies.

Friday, May 9, 2014

From the Heart Productions

It's funny how things work. I'm speaking about me and my work of course, since this is my blog. I've been working non-stop for quite a while now, marketing my new company's vision and strategy. I created FredRose Films to make movies but I had no idea what type at the time. I named the company after my father and my mother. Now, FredRose Films is set to be for my short comedy sketches and experimental short films. I created a new production company back in March. This company is for a feature film. A drama story. An adventure story. The company is called Derakhshan Films. Why? It is my goal to have the majority of people in the world know how to pronounce Derakhshan, much like most people can now pronounce Schwarzenegger. Something I've always dreamed is that my last name would be a household name someday. This is my dream becoming real with these steps I'm taking.

I spoke with my pal, Josh Penn, a while back about what route I should be taking for my feature documentary, Panomundo. He gave me some sound advice and I incorporated it into my own style and now I'm using it towards my first narrative feature film.

I've actually been speaking with a lot of people lately. I've gotten some great friends who are guiding me towards a big thing like making a feature film that will look good and tell a good story.

I've never written so many drafts before. I've never changed so many characters I've loved and lived with characters I've hated for so long. It was this "character building" that got me where I want to be: Right here and right now.

I came home today and got my mail. I am expecting a check for either scholarships, sponsorships, or grants I've been applying to. I got rejected last week from 3 in less than 48 hours but I wasn't down. I understood the process. I got my mail and got a letter that felt like a rejection letter. I opened it and my Untitled Adoption Reunion story is now officially sponsored by From the Heart Productions. A wonderful non-profit organization is backing me up!

A bonafide organization that believes in me and wants the rest of the world to believe in me, and root for me to keep going. This was what I have been seeking. I was so happy I went to my next door neighbor and also small business owner, Jonathan Weitz, to tell him the great news.

It's time to apply for donations and seed funding. I've got a lot more non-stop work to do.
Stay tuned!

Sunday, May 4, 2014

Untitled Adoption Reunion Project

Captain's log. Stardate -308660.8264205986.

I quit my dayjob almost a year ago to become a Captain. A full-time filmmaker and photographer. Most sales/marketing jobs let you do your thing, but there were a few that totally drove me up the wall with micromanagement and it was probably because I knew how little we were all getting paid for it. I knew I was worth a lot and I'm not talking money. Money is a tool and nothing more. It will never be a sign of someone's worth to me.

The film gods must see my persistence because they saw me starve this last winter and gave me a helping hand. The gods told me that since I was hungry, I could take up time in the day by writing continuously. I wrote and wrote and WROTE on this story so many times it changed into a new beast and it changed me as well. I've told this story so many times, I can recite it to anyone that passes by with barely a recollection needed.

My story is simple. It's about a Middle Eastern kid that is born and raised in the Midwest. He was given up for adoption as a baby and raised by white parents. He has never been sure where in the Middle East his ancestry is from, and all of his life he has felt there is a connection out there he wants to know and feel complete with. On his 20th birthday, he is kicked out of his home by his parents, who feel he needs to grow up, to stop being such a slacker with a menial job, and go find his destiny. He uses his adoption papers, birth certificate information, and with the help of his technologically advanced friend, goes to Northern California where the last known physical address of his biological parents is. It's here that he embarks on his journey to find out his roots, and hopefully himself.

The theme is about the discovery of ourselves through our past while embracing the present and keeping an eye on the future. And the strength to enjoy today. People of different backgrounds unite in the same upbringing, and that family can be anybody or any community you belong to. There are also underlying themes of coming of age, and the courage to deal with it.

Being American and having Middle Eastern roots is an interesting way to grow up, but this relates more to us all as being a nation of immigrants and keeping our ancestral identity while assimilating in the melting pot that is the United States of America. Now, the best part about this is that America is no longer the only nation of immigrants thanks to technology and advances and cost of travel. Our world is changing and it's the best time to be alive today.

I look forward to tomorrow.

Saturday, December 14, 2013

Goals of filmmaking

I'm here to wish you a great week coming up. My favorite holiday is Halloween as I get to dress like a maniac and no one seems to care.

My goals are lofty. Sometimes they fail miserably, sometimes they just work, and sometime they work but not the way I'd hoped them to. I'd like to take a moment to share my goals and why I do them. As you can see, I treat all new ideas by starting off small and working my way up higher, and eventually I move on to something new. Over the past 7 years when I moved to California from my hometown in search of bigger and better since I saw the future that was there for me: I had nearly topped out, with very little more I could accomplish in my search of truth.

I moved to California to work. I'm serious about story, whether it's drama or comedy or documentary. I go at a steady beat. I rarely will jump in to attack. I want to seek and find out tactics from others while gathering information and learning from them as well. Know myself and know the people around me. After moving to Los Angeles almost 2 years ago, I studied by watching everyone around me -whether film related or not- to see what works and what doesn't in business and art.

Film is a specialty market. You have to reinvent yourself over and over. I've already got plans to reinvent myself once I've touched the top of the movie mountain here. I'll tell you later about that. Think of companies like Apple that make products that people don't know they need yet. That's the kind of space to be in with any entrepreneurship state that you are seeking.

I'm a writer, director, and film producer. I spend time writing with people who like to write, I'll call friends to direct them in my movie ideas, and I spend countless hours writing up business proposals, going to fundraisers encouraging others to give support, and invest in these projects, speaking at events to encourage others to do well, and overall being a witty guy. This makes me one of the best film producers I know.

Speaking of producing, my film Panomundo has a goal of $100,000 by the end of March. We have gotten support to the tune of $35,000 so far, so we are almost halfway there. And this is all private sponsorships, grants, and a little bit from crowdsourcing. When I came on to this project I had very little knowledge about Trinidad & Tobago and the steelpan. Now people ask me questions about the country and origins of the drum. Very exciting stuff. I'm going to the islands in March/April to celebrate the wonderful movie we're creating and I hope you will watch my path as I go higher and higher up this mountain. Thank you for being my friend, my fan, and a well-wisher. I'm almost there.

Why "The Crow" directed by Alex Proyas and starring Brandon Lee reaches the biggest audience

In my pursuit of understanding myself and my moviemaking art, I develop deep connections to films that have changed my life. My favorite movie is "The Crow". I still own my VHS copy, I have the DVD, and I have a digital copy. I make it a point to see the movie on or near Halloween, and usually once during the summer.

I watched it on Blu-Ray this last year and saw many different things this time. The lighting seemed a little brighter and the story became more visual in its tone.

Below is a recollection of why the film got to me and why it reaches to the gothic era audience as well as male and female audience members alike.

It's a revenge story.
The reason Eric Draven does what he does is for love.
His true, only love that was taken from him, and is ultimately brought back to him.
Eric Draven as a person or as a sentient being is hurt. He does not want to put revenge on his enemy, he needs to do it.
Eric Draven is not a talker, he is a doer.
The main villains don't care about what's wrong and what's right.
It's not just an action film. It's a thriller with action elements.
The movie is shot monochromatic and it's dark. Black and white films reach to art audiences.
Eric Draven comes back to life to exact revenge on the ones that deserve it.
The film is dirty, very little is clean and crisp. There is trash blowing around the entire city.
Eric Draven is a brooding man.
The villain, T-Bird, is not the real last bad guy.
The last villain, Top Dollar, is truly sorry for what had to be done. He has to die anyway.

The film takes itself seriously as if this situation really could happen. That's where the magic comes from. No one can shake the idea that what is happening in the story is real. No one can be fully sure what happens next.



Sunday, October 6, 2013

Moviemaking and lemonade stands are a lot alike.



Who had a lemonade stand as a kid? OK, who knows the concept of a kid selling lemonade for 25 cents a cup?

Filmmaking isn’t that different from lemonade making. To make lemonade you don’t just say, “I’m going to make lemonade and sell it in the front of my lawn.” and POOF!it happens. To be in the movies you don’t just say, “I’m going to be a Director/Actor/Producer.” and it happens. Though that would be nice, right? “I want to be a filmmaker!”. POOF! “Get me Stallone and Rachel McAdams for my next picture!”

A lemonade stand takes effort, supplies, planning, specific tools, products and services to get that little paper cup full. Little Suzie Q’s mind doesn’t wrap around the fact that the cups have to be bought by the Executive Producer(Dad) and you’ll be lucky to get the cheap paper cups nevermind the red party cups. The lemons have to be picked from the tree or bought at the grocery store(by Mom the Producer), and it takes a while to build a stand(by you the Set Construction). The sign has to be made that says you are selling quality lemonade(again, you as the Art Director).

Now if you’re lucky and Mom the Producer calls all her friends to come buy a cup you’ll be doing good. But if you and her just hope for the best you might not make it. You might get lucky and a random stranger comes by kinda thirsty. Your selling skills on how good this lemonade is will be paramount. You are giving information to the potential customer about your service and how it will benefit them in the long run. Do you see? The customer can be both the ACTOR and MOVIE WATCHER. You are the DIRECTOR.

What’s the point here besides how great lemonade is? Use the tools as a filmmaker to make a great movie.

Actors: Your tools of trade are you mind and body. Hit the gym or go the park and workout regularly. Get your body do as you command. Read as much as you can, and no Entertainment Weekly doesn’t count. Take classes. Practice your craft. Work in as many movies as you can, whether paid or not. I regularly visit sets and on occasion will find an actor that I can see working with at a later date. If you’re not on set, how will someone know how good you are and approach you?

Crew: Be on movie sets. It doesn’t matter what you are there doing, just be there. Practice makes perfect. In one week, I went from Directing a commercial to Assistant Directing a short film to PAing a TV pilot and finished off the week by being a Camera Operator.

Writers: What did I do with my free time away from being on set? I wrote and I wrote and I wrote. Every feature film I have written shows improvement. Each one is better and better. I sell my writing here and there, and I feel lucky about it. Here is how I feel about luck. Being lucky is the culmination of hard work, treating people well & staying positive during times of insecurity. So work a lot, be nice, and good things will come.

Back to lemonade and moviemaking. Lemonade selling is a business. Movies are a self-selling business. Think about sales. Sales works for selling products from internet to wireless phones to gym memberships and if you can sell that, sell the idea and your self-worth to people.

It can be pretty sweet to be in this business. Sugar is what makes lemonade sweet but it only brings out the natural lemon taste. Too little sugar and lemonade becomes sour. Too much sugar and it spoils the lemonade. With just the right amount of sugar, magic can happen. Movie magic.

Go out and make the best movies (and lemonade) that you can!

Short Films are the now.



Short films have never had much clout in the entertainment industry. Sure, they can get attention, but to actually make money off it? Forget it.

Until now.

With Youtube and social media rising and people’s attention getting shorter, a movie for a quarter-dollar that runs less than 10 minutes doesn’t have too bad of a chance. You want a dollar? Forget it. I’ll just go on Youtube and watch free stuff. In a world that is completely international thanks to information, it’s all about quantity in streaming Video on Demand.

The best choice to me is Netflix or Amazon Video grabbing short comedies or thrillers and using them on their service as original content that is exclusive.

Think of being in the mood to waste some time in front of the television or internet video. Click on Netflix drop down and choose “Comedy Shorts”. Five short ten minute comedies play one after another or until you’ve had enough.

That is what will work.

TV AND MOVIES FOR PORTABLE DEVICES



I used to agree with Quentin Tarantino about his view that once movies were no longer seen in the theater that he would no longer want to make movies. Granted, he’s about twenty years older than me, and we like the same types of movies.


Sadly, the last few years I’ve realized that I’m OK with this change. People want to have a portable screen to view their content. Yes, they might have a fifty inch plasma television at home and go see the occasional movie at the theater, but they don’t want to be restricted.

I watch 90% of my movies thru Netflix now; about 5% of it on my Android phone. The other 10% is at the movie theater or video rental store. I have gone to a movie theater every month or two now, and I rent a movie from the video store if I am unable to find it on Netflix or streaming online.

I am not a supporter of Hulu because of their editing content and ads. I have the solution for them: One ad before the movie or show and one after. No inbetween. It ruins the flow of visual imagery.

So either make shorter film content or move the ad space somewhere else.

I hope Tarantino changes his mind about portable devices because I don’t want him to stop making movies. I know I won’t stop because a medium changes how it’s seen from how I originally planned for, but then again, I’m good at adapting.

Here’s hoping he is too.

Wednesday, May 22, 2013

The Princess Bride: Special Edition

The Special Edition starts out strong. Vivid colors, and the sound felt like it was movie theater surround sound quality. 15 minutes into it, out of nowhere, midgets started having sex with each other.

WTF! I DON'T REMEMBER THIS SCENE.

No thank you, I'll stick to the original version.

Thanks Ethan.

Wednesday, January 2, 2013

Reasons to love Big Trouble In Little China


  • It's American as can be. Even if you're not American, you gotta admire the passion that Jack Burton carries about him and his fellow countrymen.
  • It's cheesy as hell. There is not one real thing in the movie that truly could happen. Yet.
  • It keeps it's Chinese roots. Even though the movie is American and set in China, us the viewer, really feel like ancient Chinamen run around present day Chinatown.
  • Green eyes for Chinese girls are a rare miracle. But get this: There are always others.
  • Any way possible to get in or out. Example: To get out of a den, use a fireman's pole.
  • The entire movie's point is to stop a royal wedding.
  • Jack Burton isn't the real hero. He's a sidekick.
  • 2 unlikely best friends must save 2 hot ladies with green eyes.
  • Magic potion is real. Very real.

Wednesday, October 31, 2012

Talking about death...on Halloween.

I believe Hollywood might be dying. It's almost time for its death.

Filmmaking in general has become tiresome. The stories that we all know and love are painfully similiar.

I'm not sure what happened and honestly don't care.

Thesis Film: Struggle, overcoming, celebration. Sequel: New struggle with different variants.

Where is humanity if we can't evolve past imitation of the source? Hollywood might be dying but we'll live. It'll just be boring as fuck.

And if you know anything about me yet.... I'm against that option. I'm against becoming a 3rd World Country and me the King. I'll be in the chaos and thrive cause I'll accept death when the rest of the world is at peace.

I'll be causing lots of trouble. Just to keep things interesting. Something Hollywood can't do anymore and has been a long time since they even tried. There is no Cialis for a broken dick, only numbing paint-by-numbers theoretical antagonists and tired jerking-off from a stretched thin idea of orgasmic art.

Sex and Death. On Halloween. At 1:11AM.

I've got plenty more wads to shoot here. :)

Monday, August 6, 2012

Indie movies. A new definition of them.

Hearing the term indie movies thrown at everything from Paranormal Activities to District 9, I’ve had enough. Hollywood figured out mass amounts of money can be made from smaller budget films since the early 60’s and it has gone far too long without changing terms about it. All I’ve done is sub-categorize the genre.
Short films - a shorter than 55 minute long practice movie, no matter the budget. Can be also called a testing ground movie.
B-movie - well meaning with budget or not, but falls short of the original vision. Except for anything Troma, which means to make what you see on purpose.
Zero indie - where everything is done on favors, no one gets paid, probably ever. With exception of craft services aka Domino’s Pizza.
Art house indie - semi-experienced filmmakers who stride from the established norm with some budget and occasionally a plot, generally somewhere in the 5 figure area. These movies play in art galleries or midnight matinees.
Indie - small budget with obvious creativity to make up for low production values
Backed indie - Near mainstream Producers find films that can be made for low budget but with name stars attached to a points system to make some profits. A good portion of these open at Sundance Film Festival.
Indie in spirit - My favorite. Some production cash is available but everyone strives to give their most on ambitiously lean but healthy production values.
Low budget - less than $10 million after rebates. This is not exactly indie but it is nice that some people can pay their rent working on it.
Medium budget - (not indie) $10-$50 million after rebates.
Big budget - (not indie)$50-$99 million after rebates.
Blockbuster budget (not indie) $99million+ after rebates.

Sunday, July 1, 2012

Moviemaking Checklist

 0. Write script
 1. Create the budget
 2. Hire the crew
 3. Cast the film
 4. Choose locations
 5. Break down the shooting script
 6. Create the shooting schedule and production boards
 7. Secure locations
 8. Contract with vendors for stage rentals
 9. Negotiate key equipment deals with vendors
10. Constructe any needed sets
11. Acquire props
12. Choose, design, and manufacture wardrobe
13. Camera tests for any special effects or specialized development techniques
14. Makeup tests for actors
15. SHOOT THE DAMN THING!

Sunday, June 17, 2012

Why filmmaking is the perfect job

Filmmaking is the greatest job in the world to me. It’s a business and art and I am the entrepreneur and the artist. I know there will be mistakes made along the way and I’m OK with that. I’m still going to do my best to keep pushing these results further.

Why do I get out of bed every morning and why should you care? I get out of bed every morning thinking that I have much to do and very little time to finish everything. My life becomes a series of adventures that I must pick and choose which ones are the most important. I wake up as Indiana Jones and I’m on a mission to go out and make some deals to not let the bad guys win.

What is in this for me personally though? I’d have to say inner peace. As a kid I’d always felt like I needed something and that it was missing from my life. I’d spend hours watching movies and listening to music with friends, instead of doing homework. I’d do the homework the morning of on the school bus. Making movies is the biggest sense of accomplishment out there for me as of now. It’s the perfect job for me. I get to sit at a desk or on the couch surfing the internet for a while and write out stories that come from ideas I get when reading news or seeing posts by other people or by watching a movie and I see a character I like and would want to see more of on screen. When I can’t sit down and write anymore, I go out and film anything that is in my personal blog or notebook of ideas. Then when I’m done filming I get to sit at the desk or couch again with laptop on and work on editing these ideas together, adding music scores and sound effects, cutting up scenes to make sense and rewriting the story again through editing. It’s a beautiful process and it really does put me in a zen state of mind.

What’s in it for you as the audience member? Communication in community. I’m building communities of people who love or hate my work and who love or hate me. Whether it’s the former or the latter, you the audience get that real emotion that others can relate to or disagree with, causing conversations to start with other people who have the same or differing opinions. Our ability to communicate through speech and language which uses our minds to comprehend and analyze data is part of that extraordinary process of building our lives together.

I believe in myself and I have to do it again and again. I have to keep going and pursue that destiny in storytelling. The oldest artform. The current state of affairs is great for movies. There’s a nice balance of films out there, from comic book movies to indie-dramas. And I want to present variations of them that are always old-fashioned but with something new.

Am I going to be able to work my dream job forever? Possibly. I do want to make movies and work with others that believe the same things I do. Working smart not hard, but also work hard. Work that extra hour, work that extra day. Change lives for the future to be better. All by having you getting to a movie theater or at home on your iPad for an hour or two. I’m not doing this for the money. Nor the recognition, and definitely not for celebrity, though I’m certain that will come. I do this because I love my life. I've lived a great life so far. I have a way with people that is understanding and can get a smile. It's a lost art. Filmmaking I’ve had to learn through trial and error. The way I can connect with people is a skill I was born with. I want to teach and lead people who want to be the same type of leader. Not because I’m a great leader. There’s better than me wherever I go. It’s because I’m true to myself, to my art, my family, friends, and to my audience. I don’t go about making spectators, I make people a part of a community. My community, your community, our communities. You reading this right here, right now, are in that community.

Things didn’t always go as I’d assumed. I never thought I’d be working in the movies. The thought never crossed my mind. I remember seeing Home Alone, Fievel Goes West, and Robocop, and Rocky as a kid, but I didn’t know what I wanted to do with my life growing up. I had dreams of being in a rock’n’roll band as a teenager but I think that was more to meet girls. It worked back then, but that was me having more style than substance. I’ve had a decade of leveraging the two to a delicate balance. The reason movies have become such a huge impact on my life is that I can tell stories and people will be captivated to see what happens next. There are countless stories being told out there right now and I believe my stories are different. I’m different. My upbringing was different. I want others to see what I see, to know what I know, to feel what I feel, and to act on their ideas as well.

Living in Los Angeles makes a filmmaker jaded from seeing what really is successful. Too many people around you are doing the same thing and getting multiple awards for their work, but still they struggle, whether financially or artistically. That struggle is part of us and puts us in one world. I think we can come together in our daily struggles. I want to lead people to being true to themselves and to their community and their world. Sure, I want to make a splashy Hollywood blockbuster here and there. I’m only human. But I also want to tell the story of people that are human. Possibly the story of a cyborg with artificial intelligence too.

I end this journal with the casual quote which moves me forward. It’s simple yet means so much and also can easily be observed and analyzed deeply. It’s the words that I seek from others as a colleague and as a friend. It’s the people I like to be with that say this to themselves and aloud, and it brings out ways to do things that others say are impossible:

“Why not?”


Filmmaking is the perfect job for me because I am expected to make mistakes. Not only that, but I get to learn from my mistakes.

In my journey learning my craft, I have come to understand what people love, what people hate, and what people are willing to take as acceptable. This also explains the Studio's approach to filmmaking also.

So at this point I can either start making acceptable art that is at every movie theater or I can push the limits and possibly be hated. The opposite of that though is that it will change the entire industry, be imitated like no other and bring about international recognition. Doing either of those will not make me feel happy as an artist. I am choosing to make experimental film that will possibly have mainstream success. I am not looking for fame. I am looking to touch the top of the universe by a mistake.